When Simon Maxwell’s archenemy backs out of the annual competition, he thinks the prize is in the bag. But a surprise appearance from The Spartan’s long-lost sister leaves Simon scrambling for a foot hold.
He’s sworn to protect the town, but the girl from his past has him spinning in circles from the start. Is she here to help her brother, or are her motives pure? When every turn hides another trap and each twist holds a new secret, Simon risks more than just his honor. Can he win the girl before the finish line? And how can he save the town, when winning the race means losing his heart?
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Showing posts with label Frances Pauli. Show all posts
Showing posts with label Frances Pauli. Show all posts
Monday, June 27, 2011
Monday, January 24, 2011
PREVIOUS RELEASES - A CANTERBURY AFFAIR
Frances Pauli
ISBN: 978-1-55487-768-3
Cover Artist: Angela Waters
Number of Pages: 108
Categories: Romance, New Releases, Recent Releases, Science Fiction, Futuristic
Release Date: January 01, 2011
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Description
Lierra drags her barely tolerable fiancé to New Canterbury, a planet where history is almost recreated for the nostalgic, human colonists. While preparing for their wedding, however, she encounters Forrest Ecks, her hero and one of the premier artists of the time.
Despite his fame, Forrest Ecks has little in the way of promise. Injured in the war, his painting career has withered along with his damaged hand. When the Lady Darvid shows him an E-sel full of amateurish, but promising sketches, Forrest takes on the task of teaching the woman. But Lierra herself proves far more interesting than her paintings.
Lierra’s engagement hovers ever closer, but more than her art blooms during her lessons with Forrest. With the little time they have, can they teach each other that giving up is never the best option?
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Excerpt
“Technically, yes,” she said. Collette made a noise to her right. Lierra had nearly forgotten her cousin in her fury to prove herself to a complete stranger. Now she heard the girl shifting from foot to foot. No doubt, nervous at the situation, at the man’s blatant disregard of their status.
“You’ve left something off.” His eyes narrowed. “There’s a but hanging on the end of that statement.”
“Yes,” Lierra stared straight back at him. Behind her, Colley squeaked. “Personally, I prefer his earlier works. The later pieces lack his initial passion.”
“But certainly, you’d admit they exhibit a great deal more skill?”
“Skill, yes, but without the emotion. I saw Woman with Yellow Veil yesterday…”
The man snorted at her, actually snorted.
“You dislike it? I’d say it’s possibly his best work.”
“I certainly hope not,” he said. “It’s sloppy, sentimental and amateurish.”
“Quite easy to say, I imagine, from the sidelines.”
“It’s widely considered,” He stole her earlier words. “That Ecks’ work became progressively more sophisticated as he mastered his medium.”
“Mastery is not a fair trade-off for passion.” Lierra refused to be unnerved, though a shadow of concern blossomed in her thoughts. There was something about this man, something intense that went beyond his fine clothes and long black gloves. “The early paintings had a wild edge, something raw and unchecked—”
“Reckless abandon?” The corner of his mouth twitched into an amused smile.
“Yes, in a way,” Lierra answered. He’s enjoying this, she thought. In truth, so was she. The debate topped Trent’s occasional, Hey babe, what you doodling? by a landslide.
“Sloppiness is no substitute for craft.”
“Craft is good,” she said. “But without the raw emotion it can come across as sterile.” Behind her, Colley let out another squeak.
“Sterile?” His eyes widened. Both of his eyebrows raised in a startled stretch. A warning bell chimed in the back of Lierra’s mind.
He stepped forward and gave the Ecks a good long stare, tucking one of his hands into the front of his coat and tilting his head sharply to the side.
“Interesting perspective,” he said. “Unconventional, but interesting.”
Lierra had no idea if he referred to the painting or her comments, but the chime of alarm escalated. She heard sirens in her head, stared at the glove tucked into his doublet. She darted a helpless glance in Collette’s direction. Her cousin inspected her own feet, demur, unhelpful. Lierra scrambled for something to say, but he spun away from the painting before her brain supplied any answer.
“It has been a pleasure.” He bowed, a stiff, formal gesture that might have soothed her had it happened ten minutes ago. “I look forward to more conversation over dinner, Lady Darvid.”
She stood frozen, knowing from the heat spreading across her cheeks that she blushed and that he noticed. The man knew exactly who she was. Her brain whirled. She managed a rather breathless, “Likewise,” and watched him pass, stride across the room and make his exit. The Gallery doors swung closed in slow motion.
“That was Forrest Ecks, wasn’t it?” She turned to where Collette waited. The girl’s horrified expression answered for her. Forrest Ecks, of course it was.
BUY LINK
ISBN: 978-1-55487-768-3
Cover Artist: Angela Waters
Number of Pages: 108
Categories: Romance, New Releases, Recent Releases, Science Fiction, Futuristic
Release Date: January 01, 2011
------------------------------------------------------------------------------
Description
Lierra drags her barely tolerable fiancé to New Canterbury, a planet where history is almost recreated for the nostalgic, human colonists. While preparing for their wedding, however, she encounters Forrest Ecks, her hero and one of the premier artists of the time.
Despite his fame, Forrest Ecks has little in the way of promise. Injured in the war, his painting career has withered along with his damaged hand. When the Lady Darvid shows him an E-sel full of amateurish, but promising sketches, Forrest takes on the task of teaching the woman. But Lierra herself proves far more interesting than her paintings.
Lierra’s engagement hovers ever closer, but more than her art blooms during her lessons with Forrest. With the little time they have, can they teach each other that giving up is never the best option?
------------------------------------------------------------------------------
Excerpt
“Technically, yes,” she said. Collette made a noise to her right. Lierra had nearly forgotten her cousin in her fury to prove herself to a complete stranger. Now she heard the girl shifting from foot to foot. No doubt, nervous at the situation, at the man’s blatant disregard of their status.
“You’ve left something off.” His eyes narrowed. “There’s a but hanging on the end of that statement.”
“Yes,” Lierra stared straight back at him. Behind her, Colley squeaked. “Personally, I prefer his earlier works. The later pieces lack his initial passion.”
“But certainly, you’d admit they exhibit a great deal more skill?”
“Skill, yes, but without the emotion. I saw Woman with Yellow Veil yesterday…”
The man snorted at her, actually snorted.
“You dislike it? I’d say it’s possibly his best work.”
“I certainly hope not,” he said. “It’s sloppy, sentimental and amateurish.”
“Quite easy to say, I imagine, from the sidelines.”
“It’s widely considered,” He stole her earlier words. “That Ecks’ work became progressively more sophisticated as he mastered his medium.”
“Mastery is not a fair trade-off for passion.” Lierra refused to be unnerved, though a shadow of concern blossomed in her thoughts. There was something about this man, something intense that went beyond his fine clothes and long black gloves. “The early paintings had a wild edge, something raw and unchecked—”
“Reckless abandon?” The corner of his mouth twitched into an amused smile.
“Yes, in a way,” Lierra answered. He’s enjoying this, she thought. In truth, so was she. The debate topped Trent’s occasional, Hey babe, what you doodling? by a landslide.
“Sloppiness is no substitute for craft.”
“Craft is good,” she said. “But without the raw emotion it can come across as sterile.” Behind her, Colley let out another squeak.
“Sterile?” His eyes widened. Both of his eyebrows raised in a startled stretch. A warning bell chimed in the back of Lierra’s mind.
He stepped forward and gave the Ecks a good long stare, tucking one of his hands into the front of his coat and tilting his head sharply to the side.
“Interesting perspective,” he said. “Unconventional, but interesting.”
Lierra had no idea if he referred to the painting or her comments, but the chime of alarm escalated. She heard sirens in her head, stared at the glove tucked into his doublet. She darted a helpless glance in Collette’s direction. Her cousin inspected her own feet, demur, unhelpful. Lierra scrambled for something to say, but he spun away from the painting before her brain supplied any answer.
“It has been a pleasure.” He bowed, a stiff, formal gesture that might have soothed her had it happened ten minutes ago. “I look forward to more conversation over dinner, Lady Darvid.”
She stood frozen, knowing from the heat spreading across her cheeks that she blushed and that he noticed. The man knew exactly who she was. Her brain whirled. She managed a rather breathless, “Likewise,” and watched him pass, stride across the room and make his exit. The Gallery doors swung closed in slow motion.
“That was Forrest Ecks, wasn’t it?” She turned to where Collette waited. The girl’s horrified expression answered for her. Forrest Ecks, of course it was.
BUY LINK
Monday, October 4, 2010
Author spotlight with Frances Pauli
Would swoon be an appropriate term? I nearly fainted. I did a happy dance. I told everyone…and then I started to panic.
How do you categorize yourself: pantser or plotter?
I am a classic pantser. I get an idea, fall for a few characters and run for it. Now, however, I’m finishing up a trilogy and I need to learn to plan…fast. I suppose it’s a good thing to stretch and learn new skills, right?
What makes a book great in your eyes?
Characters I care about, plot that surprises me and a lot of tension. As a reader— and I suppose as a writer, too—I like big themes, even in lighter fiction. I’m a sucker for humor, but I like a nice point behind it.
Do you have any guilty pleasures?
Chocolate. Definitely chocolate.
What are you working on now?
Right now I’m working a final edit on a Romance featuring artists on a planet of anachronists. The setting is medieval, but the tech is futuristic and the characters are a blend of both.
Who is your favorite all-time author?
Andre Norton, hands down. I read romantic Speculative Fiction long before there was really a genre for it. I love all of them, Tanith Lee, McCaffrey, McKillip…but Norton will always be my favorite.
Are love scenes easy/difficult to write?
Harder than I ever expected. I’m learning, but I think my comfort zone if far closer to sweet than I would have guessed.
Do you have another career besides writing? What is it?
Yes, Motherhood. The hours are longer and the work is much more difficult, but the rewards can be pretty great. Balancing the two is tricky. Sometimes, I have to hide in the closet to get any writing done. Both of my children are under 5.
To date, which is your favorite story? Which one did you have the most fun writing?
That’s almost like asking me to pick one of my kids. I’d say my first novel, A Moth in Darkness is the one I’m most invested in emotionally, but that’s more of a dodge than an answer. The most fun to write, hands down, is my free serial, Space Slugs. That one is strictly for fun, can be downright silly at times and almost writes itself.
If you had the opportunity to say one thing to your readers, what would that be?
Thank you. I’d definitely say thank you and I hope you enjoy reading my books. Thanks to you for having me, also.
More on my work can be found at: http://francespauli.com
And that free serial is at: http://spaceslugserial.blogspot.com
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